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E to the wealthy grocer Stefano allows her to climb out of the poverty The two friends were often competitive especially about school but in book two they are also competitive about menWhich brings me to why this novel broke my heart It s hard to talk about this book without spoilers so I shall hide it for those who don t want to know et view spoilerElena who is our narrator has been in love with Nino Sarratore since they were children Nino is smart and driven but also uiet and elusive While on vacation the beautiful Lila steals Nino away and the two begin an affair Lila insists she s fallen in love with Nino and wants to leave her husband Meanwhile Elena is so depressed over losing her chance with Nino that she ends up in a situation where she s seduced ou could also say raped by Nino s creepy father hide spoiler This is a marvelous novel with heart and soul Neapolitan heart and soul that is The second installment in the famous Elena Ferrante tetralogy for me anyway exceeded the first book in originality and plot line I found it moving and a very uick read despite its nearly 500 page lengthFor this review I wanted to focus on the title and the importance of names in Ferrante s work First off there is it seems to me a Proustian reference here to Le nom du pays Le nom which is the somewhat ambiguous subtitle of one of the early sections of La Recherche du Temps Perdu There are some similarities between Proust s style of describing Marcel s outh to how Ms Ferrante describes Elena s A Long the Krommerun: Selected Papers from the Utrecht James Joyce Symposium youth There is also a second subtle Proustian techniue we learn in this book that the 45 starsYes it s Lila who makes writing difficult My life forced me to imagine what hers would have been if what happened to me had happened to her what use she would have made of my luck And her life continuously appears in mine in the words that I ve uttered in which there s often an echo of hers in my less which is such because of her in my which is theielding to the force of her lessThis second book in Elena Ferrante s Neapolitan series continues the story of two childhood friends now Lancelot young adults Lila and Elena Just as riveting as My Brilliant Friend The Story of a New Name captured my attention from page one It s uite dramatic really and I found that at times my head was spinning from the depth of the penetrating look at the lives behaviors motivations and innermost thoughts of this pair Now a book that sets my head spinning can be a good thing and it was here An accomplished writer like Ferrante can drawou in like Scorch you are watching the drama play out right in front ofou It did reuire however a step back from time to time to relax and catch my breath A bit of re energizing is necessary to take it all in Imagine Labour Markets, Identities, Controversies yourself a teenager still with all the complexities of emotions the uncertainties the jealousies and the sometimes rash behaviors attributed toou and Marrane Et Marronne: La Co-Ecriture Reversible D Andre Et de Simone Schwarz-Bart your friends and acuaintances But now add in a degree of poverty that most of us are fortunately not accustomed to violence that I pray most are not subjected to and the expectations and obstacles faced by women in the late 1950s and early 1960s This is precisely what Lila and Elena deal with and what we as readers are privy to through the lens provided to us Now ifou haven t read the first book in the series This Deleuzian Century you may want to stop reading this review at this point I m not revealing any spoilers but I personally didn t want any details before reading andou may feel the same I just want to talk about Lila and Elena a little bit Throughout the novel I found myself reflecting on the two and who was better off who the stronger of the two characters etc I think the opening uote to my review really sums up the relationship between the two and I came to my own conclusion whether the two and I came to my own conclusion whether or wrong that each completes the other Elena may have had educational opportunities but without the encouragement of Lila as well as a sense of competition she may not have had the drive to take advantage of those opportunities Lila finds herself in a marriage that does not suit her from the beginning but she will fight for something She has material possessions and after all wasn t that the dream these two had as little girls Wasn t that the goal of going to school and receiving an education They wanted to become rich But happiness is elusive Perhaps riches are not enough Is it too late to re make oneself and achieve something I think Lila can sustain herself knowing that Elena has been successful with her studies Maybe there are ways to rise above the poverty and the violence of the neighborhood other than money The narrative is written from Elena s point of view but we also get occasional glimpses from Lila s point of view through a series of notebooks she entrusted to Elena Notebooks that Elena was not given permission to read but that is neither here nor there If Women's Romantic Theatre and Drama: History, Agency, and Performativity your best friend gaveou her diary for safekeeping what would Tell Me What You Want you do Maybeour friend gave Water in Social Imagination: From Technological Optimism to Contemporary Environmentalism you the diary because she couldn t express the deepest feelings in her heart and she knew thatou would not be able to resist In this way Sagwitch: Shoshone Chieftain, Mormon Elder, 1822-1887 you can shareour thoughts in a less confrontational manner perhaps I don t really know but it was certainly a clever means for us to glean than just Elena s point of view here I don t know that I can say much about this book or this series it s one that I could contemplate for an indefinite amount of time So much happens in these pages but none of it is confusing There are a lot of names and variations of names for the same person A guide at the front of the book helps with this Otherwise it flows seamlessly and is written skillfully There is drama but I don t mean to say it s melodramatic Not in the least I will admit that it is addicting Oh and that ending I will read #the next in series albeit with a #next in the albeit with a of a break in between I finished Elena Ferrante s second volume a few hours ago and I m overwhelmed by her power She writes with her fingers stuck inside a electric plug She drills and drills all the way through the tiniest sensation till she reaches raw matter The story of the New Name is even entrancing than My brilliant friend the first volume of the trilogy which I devoured Lila and Lena the two protagonists of volume one are now two women Their love hate relationship grows intricate so does their intellectual competition What a wonderful deep contradictory at times morbid violent et luminous et brilliant world does Ferrante s voice evoke I urge Le rendez-vous you to getour hands on this magnificent saga What s Molotov Mouths: Explosive New Writing your ugly placeWe all have one We all have a place we uite deliberately do not go to That we are aware is there but have developed systems and defensive walls and jokes and denials in order to keep it out of the light of day It s the placeou can t help but end up sometimes when something particularly embarrassing happens to ou something tragic an epiphany about ourself that All Our Trials: Prisons, Policing, and the Feminist Fight to End Violence you didn t particularly want occurs toou It s the place where Discovering Our Past California Edition: Medieval And Early Modern Times you were the personou never ever. S dieciséis años acaba de casarse con un hombre al ue desprecia La otra ue escucha la sigue sin uerer la imita es Nanú una alumna brillante empeñada en aprender de los libros todo auello ue Lila aprende de la vida a secasAsí en este rebote de sensaciones se desarrolla una amistad muy peculiar una relación donde la complicidad es ley Basta una mirada de Lila para ue Nanú entienda ué pasa realmente en el dormitorio de su amiga Bas.
Read Ü eBook, ePUB or Kindle PDF Ç Elena FerranteWanted to be lives and the memories of when that person came out that one time that ou never want to think about againThat deep down dark pit of our stomach feeling that s welling up and over as that image comes to our brain That s it That s the visceral level of vulnerability insecurity ugliness and pain that I saw there And there is where The Houdini Solution: Put Creativity and Innovation to work by thinking inside the box you need to be to understand everything I m about to tellouBecause that place is where this novel goes This thing hit me where I live Which means as Cybercrime and Digital Forensics: An Introduction you can probably tell already that reading Story of a New Name is not something I would recommend for anyone in a fragile emotional state It isn t for anyone who is still too close to being an insecure bookish not uite teenager any with major self esteem issues Even a fewears ago I think reading this might have sent me into a depressive melodramatic spiral like when I saw Melancholia which had to have been the literal worst thing I could have chosen to see while writing my thesis in a foreign country at a school full of people smarter than me I saw it three times and lost a weekend before I could see straight againWhich is what may happen with Elena Ferrante Which is totally insane when ou read these books objectively Or at least I think it would be I have no way of really telling right now Her style is for the most part this totally bare bald faced thing that just tells ou exactly what is happening to her characters in their mundane perfectly ordinary 1960s poor Italian lives The engine driving the drama that the things that keep happening keep right on damn happening to them and the second volume is no better Ferrante is as merciless as time marching on without a thought for her characters and their development who really could use some time in this stage of their personal development or other Ferrante like the harsh Naples neighborhood she raises her characters in doesn t allow herself to give a damn I can absolutely guarantee The Meaning of Difference: American Constructions of Race, Sex and Gender, Social Class, Sexual Orientation, and Disability you whateverou sign up for One Small Step: An Anthology of Discoveries you should sign up for some shit happens and very little mercy granted because that s how it goes with Ferrante Sometimes I think that the main narrator s school and career arc is the mercy bone she threw us just to keep us from looking awayThe second volume of this series focuses on the girls late adolescence and post adolescence theears that for most of us would be covered by late high school college and our first post college job As with the first novel the pages of the novel are covered over with a powerful atmosphere that burns right through the pages until ou re sitting right with Lila and Elena with sand in our outdated bathing suit on the beach at Ischia standing on a street corner watching a too flashy sports car go by catching a glimpse of a movie star that looks like our friend with Elena in a cramped corner of a bedroom like a modern Italian Fanny Price angrily swatting at mosuitoes and trying to keep still in the suffocating heat The courtyards of broken glass wailing from the windows and women uncommented upon wearing bruises to work the next day is as sickeningly evoked as ever One of the fascinating atmospheric elements that Ferrante added demonstrated the stage of development where Birds you become aware thatou are not the center of the universe in a variety of ways in this case for characters living in poverty and powerlessness most of them borne in forcibly upon Tales from the Ballpark Tales from the Ballpark Tales from the Ballpark: More of the Greatest True Baseball Stories Ever Told More of the Greatest True Baseball Stories Ever Told More of the Greatest True Baseball Stories Ever Told you whetherou like it or not Ferrante starts to introduce the gradual intrusion of politics and political identity tellingly it mostly shows in one tribal identity one way for the kids to divide themselves mostly in increased accusations of Fascist pig and Red communist thrown around in place of remarks on one s face and person and one kid going to one meeting and one going to another Elena also encounters this world but again not in itself but as a piece of currency in the game of the class system another
Piece Of Another Kind Ofof another kind of mask that she s trying hard to don Professor Airota and his daughter had for example affectionate skirmishes on political subjects that I had heard about from Pasuale from Nino but whose substance I knew almost nothing about Arguments like ou ve been trapped by inter class collaboration ou call it a trap I call it mediation mediation in w Loved it just as much the 2nd time reading it I adore these characters and would read 100 books about them 45 stars Update Bumping this one up to a 5 stars because after a few months of thinking about it it s definitely my favorite in the series I keep finding myself thinking of certain scenes and elements of this installment and I love it I m not sure if I can write a coherent review of this book right now There are so many layers to this story so much to unpack and Robot Programming: A Practical Guide to Behavior-Based Robotics yet still as this is book 2 of 4 so much left to discover I am incredibly impressed by Ferrante s ability to develop characters that are real real than almost any other characters I have read before They have ambition are flawed fight and love and inspireThere is high probability I will come back and give this book a 5 star rating later but for now I want to finish the series and accumulate my thoughts Oh and this book has one of the best pages of literature I ve ever read so there s that I can t wait to read books 3 4 From L amie prodigieuse Choice of roleYou can be either a bad girl or a good girl Whenou have played a bit Perfect Phrases for Writing Company Announcements: Hundreds of Ready-to-Use Phrases for Powerful Internal and External Communications you can even try combining these two roles See Advanced options belowBad girlIfou are a bad girl Versailles you will be able to speakour mind and express our sexuality freely but ou will be beaten raped and called a whore and a witch You may also be subjected to other punishments such as being disowned by The Mystery of the Two-Toed Pigeon your family or forced into a dangerous and poorly remunerated job Good girlIfou are a good girl Rack Ruin you will be grudgingly accepted by society butou will have to work #Twenty Four Hours A Day To Learn The Complex Rules #four hours a day to learn the complex rules need to follow Espenlaub you will constantly feel thatou are a fraud and an imposter and Splendid Solution you will need to sleep with people who do not attractou while pretending that they do Goal of the gameYour goal is to have children and live long enough to see them grow up only mildly damaged You will find that this is harder than it sounds but that s all part of the funAdvanced optionsWhen ou have played the game a few times ou may want to try combining the bad girl and good girl roles You may for example be a bad girl who gets married and tries to stay faithful to her husband or a good girl who writes a daring and truthful novel about her life Note however that none of these strategies will actually let ou winUseful tipsIf ou decide to get serious about WOMAN there are several excellent books which will help How to Be Alone you improveour skills Elena Ferrante s series is particularly good Go out and buy a copy tomorrow ou won t regret it WARNING Spending too much time playing WOMAN can be very depressing Make sure
*you take freuent *take freuent and remember that it s only a gameEnjoy To Celle ui fuit et celle ui rest. Ta una sonrisa para descubrir ué se esconde tras esos vestidos caros ue se acoplan al cuerpo de Lila como un guante provocando a los hombres del barrio Basta un gesto para ue Nanú sepa ue Lila va a cometer una locura nadie será capaz de detenerlaNápoles la ciudad ue las ha visto crecer es el escenario de esta comedia ue tiene la fuerza de un drama se uedará entre nosotros como una e las obras maestras de la literatura del siglo ,
Elena Ferrante is an absolute marvel This was utterly ravishing How does she do it Structurally her novels could hardly be conservative her subject matter the fraught friendship of two women has been done to death And et Cigarette Kisses you re constantly left with the feeling that no one has ever done what she does before Or at least no one has done it with such searing insight and freshness Only a handful of writers can undress and get to the heart of women as lucidly and thrillingly as Ferrante The first hundred pages especially were uite simply a dazzling display of a writer removing all the paint and powder from a woman s face mask and showing us the naked truths beneath Ferrante is like a kind of dream psychoanalysis She dispels all the fog unravels all the knots of a woman s deepest feeling and elucidates in simple language the fount the hidden motive She always knows the secret as to why her women are doing what they do She once said in an interview that her ambition was to make the facts of ordinary life gripping She achieves this by elucidating the emotionalmotivational source of many of these facts She also has this extraordinary talent for easing into her narrative and explaining difficult subjects without sacrificing a single beat of the fabulous driving momentum of her story There are no divergences in this novel every line is intrinsic to understanding Elena and Lila s struggles to achieve identity and autonomy For example the domestic violence in this novel is all the powerfully disturbing for the lack of emphasis she gives it as if it s no extraordinary than a trip to the shops It makes the domestic violence in for example A Girl Is a Half formed Thing seem written up and theatrical In fact the ease with which she feeds hugely complex and pivotal experience into her narrative makes most other contemporary novelists seem a bit written up and theatrical There s a fleet footed breeziness to Ferrante s storytelling which is uite simply bewitching in its ease of assurance I put off reading this for ages because for some reason I thought it might be a disappointment after My Brilliant Friend On the contrary it s even better Forour whole life ou love people and ou never really know who they are Nunzia to Len p215This one s a heartbreaker So exuisitely rendered that ou ll recognize our own hideous pain rising up to assail Gutsy Girls: Young Women Who Dare you again dear Readerour losses Organizations As Knowledge Systems your miseries in the cause of love Ferrante makes universal the disparate pain all loving creatures suffer Toward the end when reality becomes too much for some of the characters they descend into scarily dissociative states that surprise and rattleThe novel s narrative pleasure is dizzying Every action naturally folds into the next the continuity is superb The clarity is extraordinary it never relents I found myself slowing down to take in the richness as I would when reading a poem That s the paradox Ferrante incites in readers between wanting to gallop through the stunning tale to just gobble it up like cake and slowing down to take in the beauty of its structure I m still a bit puzzled about the phenomen that Ferrante s cycle is I don t find writing particuralry brilliant I think I didn t mark any single uote here andet enjoyed the story I thought it was very predictible at times I could see what was coming and mostly hadn t been suprised by the course of events and still kept reading I can t say it was innovative or imaginative et Ferrante managed to draw me in her world entirely Maybe I m mistaken but as I mentioned in the review of MBF I still haven t spotted in the second volume anything to not maintain that Ferrante is excorcising her past Her writing here feels too intimate too personal to think about this one only as #a fictional story Perhaps her case is similar to other writers including Edward St Aubyn and his Patrick Melrose #fictional story Perhaps her case is similar to other writers including Edward St Aubyn and his Patrick Melrose My struggle by Karl Ove Knausg rd that I m reading now and this is her way to deal with the demons of the past a necessary step on the way to move on to finally let goI ve returned to Lila and Elena story after over two ears and I find myself still engaged in their story and difficult friendship the relationship that actually feels like challenging than supporting each others I was suprised how easily I entered their lives again and how much I rememberd from the previous tome Of course some names eluded me but the main protagonists didn t fade in my memory Like in the first installment this one bases on choices
girls hadhad made already and its aftermaths It useless to describing the plot for ou either buy this story or not either ou re involved and concerned their fates or are bored and somewhat dismissive like Never Sweeter you know such things still happen so what s the point to write hundreds pages about it I for my part was really engaged from the first page and thought that strength of the novel lies just in this meticulous description this detailed dissection this ugly at times mundanity and sheer ordinariness of their lives The Story of a New Name is about losing old self and identity and by adopting a new name the husband s name forging the new one It s about struggling to remain oneself in mostly man s world where masculine point of view is sanctity and it s highly unreasonable to defy established order It s about violence womens were still subjected to and time honoured agreement to it It s about humilitian that not only fathers or husbands deliver but also women to themselves It s about attempting to break the vicious circle of poverty and misery by abandoning not only family home not even a uarter and neighbourhood but also a city if it needsLila s figure is complicated one and she is far reckless rebellious and untamed than in the first volume she hurts and degradates Elena because she herself is a victim Their relationship once again is full of mutual resentments and envy and admiration and their sense of closeness and precarious Ferrante doesn t shy away from speaking of violence and abuse and rape and wife beaters she bluntly describes the ugly face of Lila s marriage and where and why it failed She lets us know the moment when the girlsoung women actually had to acknowledge the truth that no matter what they would do no matter how much money Lila has now or how educated Elena is they still would have no chance with thoroughbred that true class and natural grace is not to buy or imitateI think I m enjoying the story because it has an air of something tangible it s like hearing about people ou know in real life people ou re supporting in their struggling I don t expect anything spectacular or flamboyant or bigger than life And I think I ll stop here This novel broke my heart It broke my heart so badly that I had to stop reading it for a few days to recoverThis is the second book of Elena Ferrante s Neapolitan series and it follows Elena and Lila from their teenage ears and into their early 20s Their neighborhood in Naples is still rough and violent in the 1960s but Lila s marriag. Ella me demostró ue o no había ganado nada simplemente porue en este mundo nuestro no había nada ue ganary lo ue de verdad valía la pena era verse de vez en cuando para ue el sonido enlouecido de nuestras mentes fuera rebotando de la una a la otra sin pararElla es una mujer hermosa alocada Steam Heat y su nombre es Lila Es la misma niña ue conocimos en La amiga estupenda el primer tomo de esta espléndida trilogía ahora recién cumplidos lo. ,*made already and *already and aftermaths it